Galerie Iris Clert, 1971 Archiwum Eustachego Kossakowskiego Muzeum
The prominent Irish critic, Brian O'Doherty elevated the mythology of the pristine white exhibition space into public discourse in the 1970s, drawing attention to the white cube convention for gallery spaces, not as a blank or neutral container, but as a historical construct.
12 De galerías. El encantador 'je ne sais quoi' de Iris Clert Abre
Galerie Iris Clert, Paris, France "In order to attain this indefinable of Delacroix that is the essence of painting, I became a specialist of space, which is my ultimate way of treating color. It is no longer a question of seeing color, but rather of perceiving it.
Iris Clert, Jean Tinguely et Marcel Duchamp avec les métamatics de
The artist with Iris Clert at the opening of his exhibition at Galerie Iris Clert, in Paris, June 1963. In accepting to have a show at her gallery he asked Clert, "How could it be anything but black?
Salle 34 Iris Clert Galeries du 20ème on Acast
The Galerie Iris Clert would become the venue for several of the most important and revolutionary exhibitions of the period, including Fontana's own. She showed his Nature , his large, rough, penetrated globe-like sculptures, as part of a two-gallery show at her new premises on the rue du Faubourg Saint-Honoré in 1961 and his 'celestial eggs.
Photographies Iris Clert à une course de cafards Yves Klein
Arman, Le Plein, Galerie Iris Clert, 1960. The invitations. Yves Klein, Récit du vernissage de l'exposition "Epoque pneumatique, la sensibilité picturale immatérielle à l'état matière première" à la Galerie Iris Clert, 28 avril 1958
49 best images about Books on Pinterest De stijl, Flora and Alvar aalto
1971, Galerie Iris Clert, 28 Faubourg Saint Honoré, Paris 8 e. 5 mai Abstrels, sculptures électroniques, Jacques Potin; 1972, Galerie Iris Clert, 28 Faubourg Saint Honoré, Paris 8 e, puis 3, rue Duphot, Paris 1 er. 15 mai Acquisition du Stradart, Le Poids Lourd Culturel. Défilé de la « Nuit du Faubourg Saint-Honoré »
Exposiciones Basreliefs dans une forêt d'éponges Yves Klein
Iris Clert : few names of gallery owners love as much as this one.For generations of art lovers, she remains the flamboyant icon of the post-war Parisian artistic effervescence. After a first book dedicated to Jean Fournier published in 2018, the Comité Professionnel des Galeries d'Art is proud to dedicate the second opus of the Art Gallery Collection to Iris Clert.
Exposiciones La spécialisation de la sensibilité à l'état de matière
Iris Clert ( Greek: Ίρις Αθανασιάδη; Iris Athanasiadi; 1917 - 1986) [1] was a Greek-born art gallery owner and curator. She owned the Iris Clert Gallery in Paris from 1955 to 1971. During its tenure, her gallery became an avant-garde hotspot in the international art scene, particularly to Yves Klein, Jean Tinguely and Arman .
Entrance of Iris Clert Gallery, during the opening of Yves Klein’s The
Details Yves Klein (1928-1962) Untitled Blue Monochrome (IKB 266) dry pigment and synthetic resin on gauze mounted on panel 4½ x 6¾in. (11 x 17cm.) Executed in 1957 Provenance Galerie Iris Clert, Paris. Collection Helene Lassaigne, Paris. Galerie 1900-2000, Paris. Galerie Gmurzynska, Zurich. Acquired from the above by the present owner. Exhibited
Two Exhibitions at Iris Clert Gallery, Paris Yves Klein’s Le Vide… SOCKS
1 of 6 Summary of Arman Arman is most associated with the Nouveau Réalisme (New Realism) movement that emerged in 1960, and which represented France's response to the trend of Pop art that was sweeping Europe and the United States.
Iris Clert
VARIA. Clément Dirié. La galerie Iris Clert, 1956-1961 : se lancer et s'affirmer dans le monde de l'art «L'histoire de l'art moderne est inséparable de celle de quelques galeries pionnières qui, en leur temps, ont su réunir les œuvres et les artistes qui devaient marquer leur époque.
Two Exhibitions at Iris Clert Gallery, Paris Yves Klein’s Le Vide… SOCKS
Iris Clert s'essaie à la galerie associative du Haut Pavé, en exposant sa sélection d'artistes sur un créneau réduit, de 17 h à minuit. Dans une époque dominée par la Nouvelle École de Paris, qui semble nier la vitalité du marché de l'art new-yorkais, peu de possibilités sont offertes aux expériences audacieuses de jeunes.
Iris.time L'artventure d'Iris Clert
La spécialisation de la sensibilité à l'état matière première en sensibilité picturale stabilisée or better known as Le vide at Galerie Iris Clert, Paris, 28 April - 12 May 1958. Courtesy Yves Klein, ADAGP, Paris
Iris Clert Alchetron, The Free Social Encyclopedia
Washington, DC Yves Klein Hirshhorn Museum and Sculpture Garden By Nuit Banai IN 1958, YVES KLEIN scandalized the Parisian public by presenting nothing but a whitewashed room with a lone, empty vitrine at Galerie Iris Clert. The exhibition, known as " Le Vide " (The Void), was marked by the momentousness of its opening.
Iris Clert
Two years after the so-called exhibit "du vide" at the Galerie Iris Clert, Yves Klein did in fact take a leap, experimenting with the immaterial qualities of the void.
[ Galerie Iris Clert Archives photographiques ]... lot 297 Livres
Robert Rauschenberg, "Ritratto di Iris Clert", 1960. Aerostatic sculpture in front of the Galerie Iris Clert during the exhibition "Propositions monochrime", Paris, 10-25 May 1957 ©Yves.